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08-May-2018 11:21

Seuss, born Theodor Seuss Geisel, has been a staple in literature and illustration for decades.

His love for surrealism brought us brightly colored scenes of strange creatures in curious environments.

When Magdalena died childless in 1682, Dissius inherited her collection of Vermeer paintings and other works of art.

Dissius was also the owner of the "Golden ABC" ("Het Gulden ABC"), his print shop on the Market Square of Delft.

There can be little doubt that the twenty paintings by Vermeer bequeathed to Dissius were part of Magdalena's own inheritance from her father, Pieter Claesz.

van Ruijven." At the Dissius auction, the 21 Vermeers brought a total of 1,503 guilders and 10 stuivers, then a substantial sum although the painters Frans van Mieris and Gerrit Dou had been paid a greater sum for a single work in their own life time.

held a sale of 124 paintings, of which 21 were by Johannes Vermeer.

Some weeks before the sale, on April 1696, an advertisement appeared for the auction in which were mentioned "excellent artful Paintings, among them 21 pieces extraordinarily vigorously and delightfully painted by the late J.

Magdalena van Ruijven was not yet twenty-seven when she died and had married Dissius only two years earlier.van der Meer, representing several compositions, being the best he ever made, besides some others of these eminent Masters..." To art historians, the Amsterdam auction's chief importance lies in the catalogue descriptions of the 21 paintings which comprises one of the few solid historical foundations scholars have for determining which are genuine Vermeer paintings and which are not.Some of the auction descriptions are too vague to be of much use.The inventory was of the estate and property due to Jacobus Abrahamsz.Dissius on his own account inherited as the result of the death of Juffr.

Magdalena van Ruijven was not yet twenty-seven when she died and had married Dissius only two years earlier.

van der Meer, representing several compositions, being the best he ever made, besides some others of these eminent Masters..." To art historians, the Amsterdam auction's chief importance lies in the catalogue descriptions of the 21 paintings which comprises one of the few solid historical foundations scholars have for determining which are genuine Vermeer paintings and which are not.

Some of the auction descriptions are too vague to be of much use.

The inventory was of the estate and property due to Jacobus Abrahamsz.

Dissius on his own account inherited as the result of the death of Juffr.

Following the research of Abraham Bredius, it has long been assumed that this collection is identical with that outlined far more summarily in the inventory drawn up early in 1683 of the estate and property of the Delft printer, Jacobus Abrahamsz. This inventory listed, in the front room, 8 paintings by Vermeer and 3 ditto in boxes, in the back room 4 paintings by Vermeer, another painting by Vermeer in the kitchen, 2 paintings by Vermeer in the basement room and, beside the above items, 2 paintings by Vermeer, making a total of 20 works, only one fewer than the number auctioned in the 1696 sale.